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Original choreography: the version of Petronella that I call is Week 37: One More Couple Dance, and New Choreography.Week 36: More Eighteenth-Century Couple Dances.Week 35: Screen-Facing Silliness and Solo-Friendly Contras.Week 34: Two-Person Ballroom Dances from France: Feuillet.Week 33: More Two-Person Ballroom Dances by Mr.Week 32: Eighteenth-Century "Ballroom" Dances (Purpose-Built Couple Choreo).Week 27: Adapting on the Fly, part 2: ECD and contras.
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Week 6: Progression Along the Side, Part 2.Week 4: Expressing the Music: Two Dances Adapted from Gary Roodman.Week 3: Fun Solo Contra Figures (or are they English figures?).Week 2: Unequal Roles, Mirror Symmetry, Progression.It has the potential to develop spatial and kinetic skills that we'll be able to use when we return to Positional dancing is inherently gender-free - which was what initially drew me to positional calling - and Patterns and space, rather than ghosts who might get lost, or wander off just when we need them the most. Now that we'reĭancing solo, I wonder if we might benefit from learning to think positionally as dancers - to emphasize This isn't surprising: social dance is about dancing with others. Often very relational: I spend a lot of time identifying where dancers are in relation to their partner, Invites dancers to think holistically about the patterns they're dancing. I call bothĬontra and English positionally, and one thing I've noticed is that positional calling (and teaching) We're all familiar with positional calling, even if we haven't experienced it directly. If you use it, please let me know! And please credit I offer this material in the spirit of community. I might introduce a variety of dance genres and blur the lines between them - and encourage participantsĭances will be approached from a positional framework (in other words, we're going to be gender-freeīy default, as solo dancers), and participants are encouraged to think holistically about pattern, After we dance, together we'll talkĪbout why the adaptation feels good (or suggest a different one that feels better!). With ghosts), and then I'll propose and call a solo adaptation. We'll see the original choreography (as interpreted by a solo dancer In this workshop series, we'll walk through the process of adapting dances for solo dancers,Ĭhoosing new dances each week.
I've also been challenged, as a soloĭancer, to find the fun in contra dance choreography, which often makes intense use of the connection To think positionally and holistically about how the dance works. I love the way it emphasizes pattern and position, encouraging dancers We've been solo dancing for a while now, and I've discovered that I really enjoy adapting existingĬhoreography for solo dancers. "Some of the best dancing I've had in lockdown," according to a workshop attendee. This page will remain up as a record of our workshops. Songs from the Apple Music catalog cannot be burned to a CD.Wednesdays at 12 noon, US Central time, JMay 19, 2021
#COME SI USA BARTUNES 1080P#
#COME SI USA BARTUNES 720P#
To play 720p HD video, an iTunes LP, or iTunes Extras, a 2.0GHz Intel Core 2 Duo or faster processor, 1GB of RAM, and an Intel GMA X3000, ATI Radeon X1300, or NVIDIA GeForce 6150 or better is required.To play standard-definition video from the iTunes Store, an Intel Pentium D or faster processor, 512MB of RAM, and a DirectX 9.0–compatible video card is required.
#COME SI USA BARTUNES PC#
PC with a 1GHz Intel or AMD processor with support for SSE2 and 512MB of RAM.
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